Morass Of Molasses Reading, UK
Like a thick stew, rich with blues, heavy on entry and mellow in aftertaste.
A recipe born of tradition, with many a familiar ingredient. Chunky, Hearty and satisfying.
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supported by 64 fans who also own “Woe Betide”
Reminds me a little of Torche/Floor. Great mix of heavy/fuzz/clean vocals.
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supported by 57 fans who also own “Woe Betide”
OMG, late to the party but this is some of the best occult infused doom stoner tackle I've ever heard. Reference points include Sabbath (obvs), especially with the Ozzy-esque vocals but there's also the melodiousness of early Heep mixing with a more contemporary occult rock sound. It starts in the 70's and makes it to the present day. The riffs are huge but it's their way with a hook that elevates this from your average doom/stoner fare. Very wonderful indeed!
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End All We Know
by Morass of Molasses
supported by 48 fans who also own “Woe Betide”
Can't help but have to think of Smashing Pumpkins every now and then when listening to MoM. Must Be the voice mainly. This record is the next step for the band away from the Orange Goblin Name droppings. Remarkable Sound, pretty arrangements and Jethro Tullesque Flute placements keep End All we know intense and fresh even after the tenth spin. I am really happy with this record.
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Midnight Heavyweight Remixed
by InTechnicolour
A reinterpreted version of the Brighton doom band's 2022 album, featuring remixes from Skin Failure, Sugar Horse, God Alone., and others.
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Midnight Heavyweight
by InTechnicolour
Brighton, UK band leaven surging hard rock with spaced-out stoner-doom on their second LP, recorded in an old chapel on the English coast.
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Nothing as the Ideal
by All Them Witches
All Them Witches are back, with more tense, psych-blues numbers that ratchet up the tension & then explode.
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